Sanguine/Bloedrood. Luc Tuymans on Baroque
Miss Fancy Pants: For My Summer Kitty, 2011
Jack Whitten radically embraces abstraction, unlike many of his Afro-American colleagues who often utilise narrative and didactic tactics. From that attention to texture, he gradually seeks to integrate notions of sculpture and collage, and realises elaborated sculpture-paintings, constructed in paint, supplemented with tile patterns and mosaic, in a way reminiscent of murals and architecture. Sanguine/Bloedrood presents Jack Whitten as a powerful presence next to Rubens. The diamond-shaped canvas with a black core contains elements of the geometry that the old masters used as an underlying grid. According to Whitten, ‘The essence of abstraction is distilled essence.’
Text: Hans Willemse
Translations: Michael Meert