During the cultural city festival Antwerp Baroque 2018. Rubens Inspires, the M HKA, the Museum of Contemporary Art Antwerp, juxtaposes the spirit of the baroque masters with the vision of contemporary top artists. With the exhibition Sanguine/Bloedrood (Blood Red), curator Luc Tuymans aims to overwhelm the visitor by placing key works from the baroque of, among others, Francisco de Zurbarán and Caravaggio, in dialogue with works by classical contemporary masters, such as On Kawara and Edward Kienholz, as well as new works by contemporary stars such as Zhang Enli, Takashi Murakami, Michaël Borremans, Sigmar Polke and Tobias Rheberger. 

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On Kawara

°1933
Born in , JP
Lives in New York, US

On Kawara (b.1932-2014) grows up in Kiriya and Tokyo, where he experiences as an adolescent how his people try to process the national trauma of the atomic bombs on Hiroshima and Nagasaki. In 1955-56, as a 23-year-old, he makes a series of 30 death portraits – some based on existing photographs – to capture the horror of this 'atomic time' on paper. The intended publication under the title Death Masks is not realised and the series of drawings – although intended as a moment of remembrance – is forgotten.

After wandering through South America and Europe, On Kawara settles permanently in New York, where, a year later, he makes his first Date Painting: the painted representation of the date and place where he is at that moment, applied to canvas with calligraphic precision. Since then, every day, he records his earthly presence as an ‘existential statement’.

Text: Hans Willemse, 2018