During the cultural city festival Antwerp Baroque 2018. Rubens Inspires, the M HKA, the Museum of Contemporary Art Antwerp, juxtaposes the spirit of the baroque masters with the vision of contemporary top artists. With the exhibition Sanguine/Bloedrood (Blood Red), curator Luc Tuymans aims to overwhelm the visitor by placing key works from the baroque of, among others, Francisco de Zurbarán and Caravaggio, in dialogue with works by classical contemporary masters, such as On Kawara and Edward Kienholz, as well as new works by contemporary stars such as Zhang Enli, Takashi Murakami, Michaël Borremans, Sigmar Polke and Tobias Rheberger. 

antwerpenbarok2018.be

Takashi Murakami

°1962
Born in Itabashi, JP

The Japanese neo-pop art artist Takashi Murakami (b. 1962) grew up in Tokyo and developed a special interest in manga (traditional Japanese comic drawings) and anime (hand-drawn animated films). Out of dissatisfaction with the art market and the general cultural flattening, he develops a style that he cynically defines as Superflat. His art consists of large two-dimensional surfaces with uniform colours, filled with Japanese cartoon characters and recognisable icons from popular culture. These wall-filling compositions are accompanied by striking sculptures; sometimes with the same busy colour patterns, sometimes entirely different from them and evenly finished in gold or silver. In this way, Murakami creates a busy biotope that is seemingly teeming with vibrancy, but behind which lie emptiness, superficiality and nihilism. To emphasise this, he uses the commercial market principles of Pop Art and has his designs reproduced from his studio as a mass product. Luc Tuymans points to the extreme PR idea behind this process; a practice that was initiated by Rubens during the Baroque by working with assistants and executors in different workshops.

Text: Hans Willemse
Translations: Michael Meert